• Review: A Hawai’i Interlude

    BORN and raised on the Hawaiian island of Oahu, Makana has been lauded for his slack-key guitar stylings, but he’s also a fine uke player, as he proves on A Hawai’i Interlude.

    ‘Diverse’ is the first word that springs to mind when I think about describing this album. A lot of instrumental records suffer from a lack of diversity, resulting in a fairly mundane listening experience. That’s certainly not the case here. Each of the 20 tracks has been well thought out and expertly produced to showcase Makana’s impressive compositional skill and playing ability.

    A few of the standout uke-centric pieces include the smooth Kahala Jazz, somewhat ethereal Waiola Wonderland and spacey Waikiki 2050, which has a sort of synthwave feel to it. And special mention goes to Pu’uale’ale’a (Bliss Hill), which features renowned jazz trumpet player Deshannon Higa. There are also some fantastic non-uke tunes – my pick is Ha’iku Zen, a layered and interesting collaboration with slack-key guitar master Jeff Peterson and shakuhachi [Japanese bamboo flute] player¬†Riley Lee.

    If you’re looking for something a little bit different to the norm, I urge you to seek out A Hawai’i Interlude. Makana has managed to create a thoroughly modern album that is quintessentially Hawaiian and pays tribute to the unique musical traditions of the islands.

    The album is available on various platforms. Simply follow this link: bit.ly/AHawaiiInterlude